Zuzana-Markéta Macková (*1999, she/her) is a Czech moving-image-based artist and curator working between Berlin and Prague. She works primarily with video, performance, and LARP. Her practice explores themes such as speculative fiction, hypercapitalism, East vs. West, and conspiracy theories. These interests are often articulated through audience manipulation, humor, pop-cultural references, and meta-modernity.

She earned an MA at the Dutch Art Institute (2021–2023) and a BcA at FAMU (2019–2021) in the Department of Photography, Studio of New Aesthetics. She has exhibited internationally at venues including Museum of Jurassic Technologies (Los Angeles, USA), 90mil (Berlin, Germany), BACO (Bergamo, Italy), Centrale Fies (Dro, Italy), DOCK (Basel, Switzerland), Fotopub (Novo Mesto, Slovenia), GHMP (Prague, Czech Republic), Mustarinda Residency (Hyrynsalmi, Finland), and NIDA Art Colony (Nida, Lithuania).

As a curator, she led Panel Gallery (2019–2020), co-founded the experimental audio collective Until Further Notice during the pandemic, and collaborated with Simona Binko from Tschechisches Zentrum Berlin on the CCAiB series (2024–2025). In 2025, she curated the group exhibition All that is solid melts like my blush after a long shift at GAMU in Prague. She is a member of Display – Association for Research and Collective Practice, part of the Berlin-based ACUD space, and occasionally contributes writing to Artalk.

Zuzana-Markéta Macková's residency is part of the Deconstructing Myths project organised by Meetfactory, KAiR, Goyki 3 Incubator, and aqb and supported by the Visegrad Fund.